Writing Update

26 Jul

It is nearly the end of the month, so you know what means…another writing project finished. Well, a first draft, but that means the hardest part is over. At least, I consider that the hard part. It’s easy for me to work with a sketch/blueprint of a story. I’ve never been a crazy reviser. Some writers make whole outlines and travel to distant lands to receive wise words from a sorcerer when they start revising…okay, maybe not that last one. In my case, with my finished story, I wrote along the way. At some point I changed the plot so I started over, using some of the pages that I could from the old version and just wrote. Along the way, I’d see if it made sense, but I knew where I wanted to go. The only rewriting that needed to be done after that was the phrasing of words, making sure it’s not too wordy and other syntax related changes. I suppose it’s good to know that I don’t write in such a way that I have to change scenes here and there and really cut it up and paste it again. Usually when I know the direction I want to go in, I can write it like I’d read it.
Having said that, now that I’ve finished another project, it’s time to revise the first one. The cosy mystery. TUM TUM TUM TUM. In this case, I feel like I really just wrote it to be quick and get the basic idea down, so I do feel like I will need to work hard to get the characterisation right and the plot, the atmosphere. The Writing Guidelines are different for cosy mysteries than for the other stories I’ve been writing so perhaps that is why I need to reread it with fresh eyes. I felt like something was missing. That is also why I ordered a cosy mystery and started reading it to get in the right mind set. I think what I’m missing has something to do with the characters. Cosy mysteries usually have a lot of minor characters, but I don’t like too many minor characters, I need to give them something special to set them apart and in this case, I didn’t feel the need for certain characters. Or scenes for that matter. But with cosy mysteries, cosy is very important. Characters need to be there to provide comic relief even though they don’t contribute (much) to the plot and the same with certain scenes. They need to add to the cosy vibe. So instead of asking myself: Does this character contribute to the plot? Or does this scene contribute to the story? I need to ask myself: Does this character make the story more cosy? Does this scene make it cosy? Which is why I’m soaking up the cosy vibe with other books.
This is also why they say writers should read. It really helps to take away what not to do and what to do from an already written story in your genre. So get your read on…and then your write on!

In the meantime here is the final sentence of the story about the girl with multiple personalities:

 After all, most of the time, the only person who can lighten up a dark room, is you.

 

Dissociative_identity_disorder

 

 

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